DON´T BE AFRAID ------ Nobuo Uematsu

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OVERTURE ------ Nobuo Uematsu

"Overture" is the opening song for best-selling videogame Final Fantasy VIII, composed by Nobuo Uematsu. Epic music for an epic game: this is one of the most powerful tunes in FFVIII

Regular series composer Nobuo Uematsu wrote the soundtrack for Final Fantasy VIII. He tried to base the songs off of the emotional content of when they would be played, asserting that expressing the emotions he desires is more important than improving skills: "I think it will be a shame if we won't be able to cry as we play our own game".

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FORCE YOUR WAY ------ Nobuo Uematsu

"Force your way" is the boss battle track from best-selling videogame Final Fantasy VIII.

Right, it's just a videogame tune, but it definitely has a great pounding rhythm and awesome drums building up as the track develops...

BTW, Nobuo Uematsu (Born March 21, 1959) is best known for his composition for the Squaresoft (now Square Enix) games company throughout the 1980s and 1990s, most notably on the Final Fantasy series of games. Composing all his work on the keyboards, he has been hailed as one of the most popular and beloved composers of video game soundtracks...

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SARA NI TATAKAU MONOTACHI (FINAL FANTASY VII AC VERSION) ------ Nobuo Uematsu

Yeah, OK, the FFVII AC Version of the classic tune "Sara Ni Tatakau Monotachi" is already the third track from the FFVII AC OST by Nobuo Uematsu that we have published in this blog so far... now the question: is this one really worth listening?

The answer is YES!. This is an amazing and powerful track of hard rock that will deliver a great blast of sound to your ears... from the awesome beginning to the progressive layers of guitars that lead to the final climax... If you enjoy highly energetic rock music you'll definitely like this one.

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BEYOND THE WASTELAND ------ Nobuo Uematsu

"Beyond the Wasteland" is a truly amazing song part of the Final Fantasy VII Advent Children Original Soundtrack originally composed by Nobuo Uematsu.

Final Fantasy VII Advent Children is the 2005 CGI film sequel to the original game. Its soundtrack album, was released on September 28, 2005, containing new material created specifically for the movie, as well as arrangements of tunes from the Final Fantasy VII soundtrack.

Both the original tracks and the arrangements cover a variety of musical styles, including orchestral, choral, classical piano, and rock music; Variety noted that the styles vary between "sparse piano noodlings, pop metal thrashings and cloying power ballads"...

...And that is precisely what makes the whole thing so great; that particular combination. In Beyond the wasteland, we will find heartbeats together with a haunting piano as the mysterious opening for the track that leads to a surprisingly powerful instrumental explosion with a rock-style background from 1:50 onwards...

Quite an experience. Give it a try!

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FOR THE REUNION ------ Nobuo Uematsu

"For the reunion" is an awesome track part of the Final Fantasy VII: Advent Children movie OST composed by Nobuo Uematsu

Final Fantasy VII Advent Children is a 2005 CGI film directed by Tetsuya Nomura and Takeshi Nozue and produced by Yoshinori Kitase and Shinji Hashimoto. The film is based on the highly successful 1997 console role-playing game Final Fantasy VII. It is set two years after the events of the game, and follows Cloud Strife as he unravels the cause of a mysterious plague called "Geostigma" that has beset the population.

Nobuo Uematsu (born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence. Some enthusiastic listeners' comments below:

"Absolutely brilliant display of piano skill is all I can really say. It's freaking amazing."

"How can a man compose something so great...???"

"Just wanted to say that this song is like a musical orgasm"

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